| A | B | C
| D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z |
|
About The Glossary
Sources
|
|
F
|
|
| facade |
The public, exterior, front or front elevation
of a building. Derived from the same root as face: the doors and windows of many buildings
are arranged in patterns that recall the eyes, nose, and mouth of the
human face.
|
| facing |
The finishing applied to the outer surface of a
building.
|
| faïence |
(French) Richly colored glazed earthenware,
named from the Italian town of Faënza, formerly famed for such
pottery.
|
| fan
vault |
1. A rib vault in which the ribs radiate from
the springing point like a fan.
2. Style of vaulting
typical of England in the 16th century,
in which the ribs are of equal length and form a fan shape.
|
| fascia
(plural: fasciae) |
A plain horizontal band, usually in the
architrave, which may consist of two or three fasciae oversailing each
other and sometimes separated by narrow moldings.
|
| fenestration |
[Researcher note: defenestration, a euphemism
for throwing someone out a window with intent to humiliate while causing
grievous bodily harm, often has religious motivation in historical
narrative or fiction]
|
| feretory |
In Christianity: A shrine for relics designed to
be carried in processions; kept behind the high altar.
|
| festoon
(or, swag) |
A carved ornament in the form of a garland of
fruits and flowers, tied with ribbons and suspended at both ends in a
loop; commonly used on a frieze or panel.
|
| fetish |
Any object used to control nature (or the spirit
world or an aspect of the divine) in a magical fashion, or an object
venerated as the dwelling place of a spirit (or an aspect of the
divine); examples include charms, talismans or amulets.
|
| finial |
A formal ornament at the top of a canopy, gable,
pinnacle, etc.; often a detached foliated fleur-de-lis form.
|
| flèche
(or, spirelet) |
A slender spire, usually of wood, rising from
the ridge of a roof.
|
| fleur-de-lis |
French for lily-flower; originally the royal
arms of France.
|
| flight |
A series of stairs unbroken by a
landing.
|
| flying
buttress |
An arch or half-arch transmitting the thrust of
a vault or roof from the upper part of a wall to an outer support or
buttress; characteristic of Gothic style churches and
cathedrals.
|
| font |
In Christian church architecture: an open-topped
stone receptacle for holy water, used in baptismal rites.
|
| foundations |
The underground section of a building, which
supports the weight above ground.
|
| four-centered arch |
A late medieval-style arch composed of a pointed
arch of four arcs, the two outer and lower ones springing from centers
on the springing line, the two inner and upper arcs from centers below
the springing line.
|
| fret |
A geometric ornament of horizontal and vertical
straight lines repeated to form a band; often used as a decorative band
of surface ornamentation or molding.
|
| frieze |
frieze
1. Middle section of the entablature of a
classical Order, above the architrave and below the cornice.
2. Band of relief, molded or painted decoration,
usually high on a wall.
3. The decoration of the middle division of
the entablature.
|
-
|
|
G |
|
| gable |
The triangular upper part of a wall between the
sides of a pitched roof.
|
| gaddi |
(Punjabi) In Sikhism: a guru’s seat of
authority.
|
| gallery |
In Christian church architecture: An upper story
over an aisle, opening onto the nave.
|
| gallery
arcade |
The range of columns along the open side of a
gallery
|
| gargoyle |
A grotesque or humorous carving of a figure,
human or animal; sticking out from a building, it often disguises a
waterspout, especially on a Gothic cathedral.
|
| gate (as
architectural concept) |
A gate frames its invitation by using precise
components: an approach, twin pillars, crossbeam, door, latch, key, king
and threshold. The twin pillars guard the opening to new awareness. The
crossbeam spans the gulf between the pillars, uniting the space between
them. The cross created by the meeting of beam and pillar is said to
symbolize the passage into the transcendent, the mysterious boundary
between inner and outer worlds. Hindering the passage through the
gate are the door and latch, representing the veil and challenge posed
by rigid patterns of thinking. The door blocks and opens, intimidates
and welcomes. Its lock is the first barrier to overcome. The key
symbolizes new insights and techniques for unlocking the mind's
abilities. When the catalyst for transformation has done its work, the
threshold of the gate is crossed, marking the transfer of a spiritual
center of gravity from the known to the unknown. The threshold is
perpendicular to the path that crosses it, creating a sort of compass
that points to the four corners of the world. (adapted from The Temple in the House)
|
| Gayatria
Mantra |
Most sacred Hindu scriptural verse.
|
| genizah |
(Hebrew: "storing") In Jewish architecture: A
place, often beneath the bema of a synagogue, for storing books or
ritual objects that have become unusable; often used as the synagogue's
"treasury".
|
| gong |
In Buddhism: Gongs are used in temples and homes
to announce the time of a meeting, to mark different phases of a
service, and as a symbol aiding in meditation.
|
| gopura |
An elaborate high gateway of a Hindu temple that
is typical of South Indian architecture.
|
| Gothic
architecture |
1. The architectural style that developed in
northern France and spread throughout Europe between about 1150 and 1400
CE includes pointed arches, large windows, stone tracery, stone vaulted
ceilings and flying buttresses (became popular following
Romanesque style)
2. In Midwestern vernacular use, Gothic as a
description applies to buildings (especially churches, but also other
public buildings and the occasional mansion) with pointed arches and
vaults, windows with pointed arch tops, large amounts of glass in the
walls and an overall feeling of great height.
|
| Greek
cross |
A cross with four equal arms.
|
| groin |
The sharp edge formed by the intersection of
vaulting surfaces.
|
| groin
vault |
Two barrel vaults intersecting at right
angles.
|
| gurdwara |
(Punjabi: "door of the guru"). In
Sikhism:
1. A gathering place for public worship
(roughly equivalent to “church”).
2. A place of worship
where the Sikh scripture is installed.
3. In addition to the area
for worship in which regular rituals, festivals and life cycle rites are
performed, there is a communal kitchen in which food is prepared and
shared. (See also diwan hall, langar.)
|
| Guru
Granth Sahib (or, Adi Granth) |
(Punjabi) In Sikhism: The principal scripture
containing devotional compositions written by the Sikh gurus and
recorded during their lifetimes. It also contains hymns by Hindu and
Muslims. Written in Sanskrit, Persian, Hindi and Punjabi, the
compositions are set in rhymed couplets. It is printed in Gurmukhi script, an alphabet adapted by the
second guru, Guru Angad, for the Punjabi language. It has standardized
pagination, all copies having 1,430 pages. When closed it is wrapped in
an elegant cloth (rumal). It is opened only
under a canopy (chanani) and is then
protected with a ceremonial flywhisk (chauri).
|
| Gutka |
(Punjabi) In Sikhism: a small book containing
the chief hymns used in Sikh devotions.
|
-
|
|
H |
|
| haiden |
(Japanese) Hall of worship standing to the fore
of a Shinto shrine. Usually it is the largest building at a Shinto
shrine, before which or in which prayers and ceremonies are
held.
|
| hall
church |
In Christian church architecture: A longitudinal
plan for a church, in which the nave and aisles are of approximately
equal height.
|
| halwa |
(Punjabi) Pudding (typically served as part of
communal meal following Sikh devotions).
|
| helix |
A spiral motif.
|
| hip |
The external angle formed by the meeting of two
sloping roof surfaces.
|
| holy
water |
In Christianity (especially Roman Catholicism):
Water that has been blessed, placed in a small basin (or stoup) near a
church entrance so that worshipers may dip their fingers into this water
as they enter the sanctuary, often marking themselves with the sign of
the cross in remembrance of their baptism.
|
| honden |
(Japanese) Inner sanctuary of a Shinto shrine,
standing behind the haiden. It is smaller
but higher than the haiden, not entered by
the public; the (kami is presumed to reside
in the honden.
|
| honsha |
(Japanese) A Shinto shrine building dedicated to
the principal kami of the shrine.
|
| horseshoe
arch (or, Moorish arch) |
An arch often found on Islamic buildings that
can be either a pointed or a round horseshoe.
|
| hossu |
(Japanese) In Buddhism: A whisk used to flick
mosquitoes away, carried ceremonially by Zen masters. (roughly
equivalent to Sikhism’s chauri)
|
| Host |
In Christianity: The bread (or wafers)
consecrated as the body of Christ during a Mass. As such, whether it is
consumed by those present or kept as a "reserved sacrament," it is
regarded in Roman Catholic and some other churches as an object of
veneration. (see communion)
|
| huppah |
(Hebrew) In Judaism: A wedding canopy,
traditionally suspended from four poles, each of which is held by
someone supporting it. It is also a symbolic term for marriage
itself.
|
-
|
|
I |
|
| I Ching
(or, Yi Jing) |
(Chinese: "book of changes") One of the Five
Classics in the Confucian Canon, it is a collection of texts on
divination based on a set of 64 hexagrams made by various combinations
of broken and unbroken lines reflecting the relationship between the two
basic forces in nature and human society (yin,
yang). Each hexagram is determined by casting 49 yarrow stalks, and
each has a short, cryptic interpretation. These have subsequently been
expanded in the appendices, which are attributed to Confucius, but which
date from the Former Han dynasty.
|
| icon |
In Eastern Christianity: A sacred image (usually
of Jesus, Mary or the Saints) painted on wood, which, because it is
regarded as partaking of the reality which it represents, is considered
worthy of veneration in itself. Icons are mounted on the iconostasis of
an Orthodox church, on a separate stand in the nave of the church where
believers on entry can kiss it, or in the icon corner of an Orthodox
home.
|
| iconostasis |
(Greek) In Eastern Christianity: The dividing
wall between nave and sanctuary in Orthodox churches, usually with a
central and two side entrances and panels for icons. The main icons
depict Christ as Savior, Mary as Mother of God, the Last Supper, the
four Evangelists, archangels and saints.
|
| impost |
A member in the wall, usually formed of a
projecting bracket-like molding, on which the end of an arch
rests.
|
| indent |
A shape chiseled out in a stone slab to receive
a brass effigy.
|
| intrados
(or, soffit) |
The inner curve or underside of an
arch.
|
| Ionic |
One of the Classical orders of architecture,
typified by capitals decorated with a spiral motif.
|
-
|
|
J |
|
| jamb |
The straight sides of a doorway, archway or
window; the sides of an opening upon which the lintel rests.
|
| Janam
Sakhi |
In Sikhism: a collection of stories about one of
the gurus.
|
| Japji |
(Punjabi) In Sikhism: an important hymn composed
by Guru Nanak.
|
| jatha |
(Punjabi: “army”) In Sikhism: a group of touring
musicians (often used to describe groups of musicians who play in gurdwaras.
|
| jinja |
(Japanese) A Shinto shrine. Taisha (grand shrine) and jungu (divine palace) are used to describe
especially important shrines. The typical shrine consists of several
buildings. The largest is usually the haiden, before which or in which prayers are
held. Behind the haiden and not entered by
the public is the smaller and higher honden,
in which the kami is presumed to
reside.
|
| joist |
The beam supporting a floor; horizontal timbers
in a building, laid parallel to each other with their upper edges
rebated to receive the boards of a floor. The underside either forms the
ceiling of the room below or has ceiling lathe nailed to it.
|
| jingu-ji
(or, jungu, or gingan-ji, jingo-ji, jinko-ji, jingu-in) |
1. Japanese shrine temple, divine palace.
2. An especially important Buddhist or Shinto
shrine.
|
| jubé |
The French name for rood screen. (see rood
screen)
|
| jura |
(Punjabi) In Sikhism: traditional topknot
hairstyle worn by initiated males.
|
-
|
|
|
K |
|
This Site Was Developed By
© COPYRIGHT 2001 The Polis Center ALL RIGHTS RESERVED
|